|
Émile Vuarnet [Vuarnet, p. 562] reproduces a detail from a painting,
Cortège du bélier thought to be the work of the artist S. Bourdon, from
the 1650's. (The original painting is in the Philadelphia Museum.) Vuarnet feels
certain that the hurdy-gurdy player is Philippot.
Starting with this image, and another of the Pont Neuf from [Labat],
I created this scene meant to visualize Philippot and his wife (also blind) in front
of the statue of Henri IV, where Philippot is said to have performed. Rather than try
to make something realistic, I visualized the scene as a kind of board game with
moveable pieces.
This poster was done in Jennifer Ramsey's class Winter quarter,
2002 - 03.
A footnote: Guillemot-Magitot's account of the meeting between Lully
and Philippot, in his novel Lully, petit violon du roi [Magitot] follows
very closely the account by the chansonnier Dassoucy of his encounter with
Philippot, "the Orpheus of the Pont Neuf" [Duneton, vol. I, pp. 537 - 539].
Another retelling of the Philippot is the play Philippe le Savoyard,
ou l'origine des ponts-neufs by Chazet and Duval [Chazet], a résumé of which is
given in Shepherd's Delight, 2nd edition.
|